tag:blogger.com,1999:blog-82937199249761977042024-03-05T23:46:19.549-08:00Sculptures, bronze, bois, résineAlain Scherantzhttp://www.blogger.com/profile/18365888848822284286noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-8293719924976197704.post-20721254526173949622012-12-07T23:54:00.000-08:002017-08-21T12:27:41.111-07:00<div style="text-align: center;">
<span style="color: orange;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">P<span style="font-size: large;">RESENTATION...</span> </span></span></span><br />
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<span style="font-size: large;"> Les humains
sont faits de chair. On peut penser que c'est ce que veulent dire ces
œuvres. Alors nous pouvons tenter de sublimer cette matière, ce
corps, le rendre immortel à travers des matériaux plus nobles, plus
résistants, dans des poses rappelant la discipline et le contrôle
gracieux des danseuses, tendre vers la perfection telle <b>Penthésilée</b>. </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglqGhhjZANy9VvgMnbhjpuRj1QAyz-Ps8PNWc-fLse2Yigfiy3Y6mTg55GkoUTRc_yFedUZJ_byh-oTGtHj7HaH19eCU3U6OsZQmqd99zz_UWg5ibCOunA2kNSL4ixqgNUimijGQNX_GvR/s1600/Alain+Scherantz+Penth%25C3%25A9sil%25C3%25A9e+1%252C03m+No2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglqGhhjZANy9VvgMnbhjpuRj1QAyz-Ps8PNWc-fLse2Yigfiy3Y6mTg55GkoUTRc_yFedUZJ_byh-oTGtHj7HaH19eCU3U6OsZQmqd99zz_UWg5ibCOunA2kNSL4ixqgNUimijGQNX_GvR/s1600/Alain+Scherantz+Penth%25C3%25A9sil%25C3%25A9e+1%252C03m+No2.JPG" width="150" /></a></span></div>
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<span style="font-size: large;"><span style="font-weight: normal;"> Cela
ne vous rend pas perplexe, un peu à l'image d'</span><b>Apostasie</b><b> </b><span style="font-weight: normal;">? </span></span></div>
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<span style="font-size: large;"><span style="font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3XDMaEsjVDuNNqkwiwK07f1JZ4HOyL2WsFjao-VuAHQTRmStbfJv92ehy2NQNGQ-5IHmDgcNAKUVVklmFkewSmjPVS7jPyThzkkTgJwE4BJcLVpm-uCd-tSAcFPB8JInun-OibRpY1uv0/s1600/P1000008.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3XDMaEsjVDuNNqkwiwK07f1JZ4HOyL2WsFjao-VuAHQTRmStbfJv92ehy2NQNGQ-5IHmDgcNAKUVVklmFkewSmjPVS7jPyThzkkTgJwE4BJcLVpm-uCd-tSAcFPB8JInun-OibRpY1uv0/s1600/P1000008.JPG" width="150" /></a></span></span></div>
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<span style="font-size: large;"> Tout
comme l'interprétation de <b>Perséphone</b> </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghZDgyxJq4YLC8vvak1RtkfpOWlldNg1j_IU_3YSvgkn2JuIyND16tyqG2lNRV9v5Akl80N0AGnQFwJ6CFC7ljT6LDkIjdK30gZzsnxezU6cOCO1pHMddJ2fBziTSqR6VK32y0ghUysgUd/s1600/Alain+Scherantz+Pers%25C3%25A9phone+1%252C10+No1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghZDgyxJq4YLC8vvak1RtkfpOWlldNg1j_IU_3YSvgkn2JuIyND16tyqG2lNRV9v5Akl80N0AGnQFwJ6CFC7ljT6LDkIjdK30gZzsnxezU6cOCO1pHMddJ2fBziTSqR6VK32y0ghUysgUd/s1600/Alain+Scherantz+Pers%25C3%25A9phone+1%252C10+No1.JPG" width="150" /></a></span></div>
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<span style="font-size: large;">qui cherche à échapper
à la mort, mais reste littéralement clouée au sol...</span></div>
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<span style="font-size: large;"> On peut voir ici une suggestion : explorer la matière,
découvrir ses propriétés à la façon autodidacte de cet artiste,
construire une forge, faire parler la tôle froide et acérée, que
le métal fonde et coagule en <b>silhouettes (les statuettes
longilignes en bronze)</b> </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjihCYcUyi_k-zYukgI7CaKnALF73yshWCbFVfh9r0OBVBe3iJMgjzjdbT1II-LvPDvLGsJWMKpFJ-N7_43UUm6w5WEgp5zWbZdp5CyzE1ShYh9zlXjshUg9QgKk1UWTYLMU07IRAmTqTV/s1600/DCP_3356.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjihCYcUyi_k-zYukgI7CaKnALF73yshWCbFVfh9r0OBVBe3iJMgjzjdbT1II-LvPDvLGsJWMKpFJ-N7_43UUm6w5WEgp5zWbZdp5CyzE1ShYh9zlXjshUg9QgKk1UWTYLMU07IRAmTqTV/s1600/DCP_3356.JPG" width="173" /></a></span></div>
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<span style="font-size: large;"> pour capturer l'idée de la condition
humaine. L'antithèse de Pygmalion ; pétrifier la chair pour
qu'un instant on puisse se demander « y a-t-il un sens à tout
cela, et lequel ? ». </span>
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<span style="font-size: large;"> Une question
« substantielle », posée par des œuvres tangibles,
palpables...</span></div>
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Alain Scherantzhttp://www.blogger.com/profile/18365888848822284286noreply@blogger.com